The aboriginal word yandarra roughly translates as "place of storms", and Hindson explains that he wrote this piece "with images of desolate, windswept landscapes in mind, harsh in places yet with great beauty and integrity." The form of the piece seems to follow this description. A savage and aggressive solo bass opening is followed by a "tender almost mournful" eight bars. The main body of the work is rhythmic and pulsating with the bass at times imitating a didgeridoo.
There are sections where the composer suggests the soloist plays an octave higher and the parts come with a choice of a solo tuning or orchestral tuning piano part
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